Nothing will quite prepare you for the sound of The Levels. From the opening commotion of birds in flight and what appears to be the Dr Who theme thrashed out on a slack tuned guitar, this is an expedition into the unknown. Notes for Explorers: be prepared!
This instrumental outfit, led by the twangular guitar and singular vision of polymath Darren Giddings, has pioneered its own brand of west country surf. That said, they are not afraid to stray into jazz, alt-rock and Pavement-style rock and roll.
Due to the somewhat haphazard track listing (the song titles are buried within a poetic steam of conscious) I am uncertain where one song ends and another starts, but it hardly matters. The album effectively operates as a suite with ecology, nature and localism at its heart.
References to Giddings’ previous musical adventures are apparent in the dogmatic, asymmetric guitar lines, but this band is not afraid of breaking new ground too. Bursts of jazz-infused sax, complex bass lines, rumbustious drums and spoken word sound loops are proof enough that The Levels operate far from the mundane. And they are not adverse to rocking out, with complex signatures bursting out of their introspection into foot on the floor 4/4.
Local concerns, not least the recent floods that so badly affected the Somerset Levels (hence the band’s name) inform many of the pieces. A sound collage made up of media reports cut together is particularly striking and some bad tempered riffing that bookends it hints at their displeasure that the area was somewhat neglected by government.
When all’s said and done, The Levels first recorded outing is a vital, strident, eclectic musical statement driven by a pulsing, hypnotic rhythms. It takes the listener on a journey deep into a mist filled landscape where the ghosts of musical figures past emerge then disappear across the flood plains. It is as if the Magnificent Seven have been magically transported to Somerset and coerced into musical action by Duane Eddy. And surely that’s no bad thing.
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